by oucho » Mon May 02, 2016 2:34 pm
So I read Highrize this weekend. It takes place in a highrise because it's utopian fiction and the highrise, certainly the one in the book, is a utopian ideal, but it's not about architecture? I think part of the idea is to look at the utopian ideals of the highrise and apply that to society. The highrise quickly separates itself into a recognisable upper, middle and lower class, despite the apparent homogeneity of the populace. From there the community continues to travel sociologically backwards in time, splitting into smaller and smaller clans, which are manipulated by the top floors, until eventually there are only tiny groups left whose only objective is survival. At this point the top floors lose their ability to control the situation and Wilder breaks through. This backwards movement through time is also reflected in the steady decrease of the population and resources. Eventually they end up as cavemen and women wearing warpaint and speaking in grunts/birth-cries.
It's only when society has completely collapsed to the point where it has no structure at all that the top floors lose their control over the situation. Is that a comment that the only way to remove a ruling class is to destroy society? By the time this happens in Highrise though there no longer is a ruling class because the men have been overthrown by the women. I think the implication in the book is that society has been driven and formed by men restlessly acting out their inner psychological obsessions on the world. All the 3 main male characters are driven by some deeper psychological obsession: Royal by his feelings of inadequacy wants to prove he can rule the highrise, Wilder comes to see the highrise and Royal as being symbolic of his relationship with his father, Laing is a little less easy to summarize but 'He would build his dwelling-place where he was, with this woman and in this cave in the cliff face.' In the end Wilder and Laing both end up subservient to women. Pangbourne and Steele are both also psychotic.
The occupants play out a brief history of society in reverse so that Ballard can make wider comments of society and the history of society and the role of men and women in society throughout history. But I don't know what the relevance of the development of this in a homogenous group of people is, is he just making the point that humans inevitably arrange themselves in this way and the things that separate us in society now: education, profession, etc. are arbitrary and not fixed?
I wonder if through Wilder's camera Ballard is observing that we use the arts as a way to engage with out deeper psychological obsessions from a distance. Because eventually the situation in the highrise allows Wilder to live what he was trying to capture on film, by climbing the highrise, and eventually discarding his camera for a gun and shooting Royal. We use the arts to skirt around and look at what obsesses us, without truly living it. Ultimately all 3 men seem to reach a certain contentment with their situation.
I feel like there are a lot of other things going on. I don't really understand the references to the highrise as a zoo, or the significance of Royal's birds. I find the most interesting thing to be the way that the community 'collapses' in a way that reflects an unravelling of history. Ultimately it seems to end up in a utopia? The women on the top floors start to redecorate and rebuild the apartments there, the children are playing in the playground again. I feel like the implication of this is that society was formed by psychopathic men who we needed at some point: 'No zoo wold survive for long with Pangbourne as its keeper, but he would provide a node of violence and cruelty that would keep alive in others the will to survive. Let the psychotics take over. They alone understood what was happening.' but no longer need? Basically all men want to do is be cavemen.